Jay Dunn: Journalism for Social Justice

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  • Members of other performing groups joined Yaocuauhtli's sixth annual gathering called "Day of Indigenous Resistance," dancing well into the night. Held as a deliberate counterpoint to Columbus Day, which is also sometimes called "Day of the Races," or "Hispanic Day," the event on October 11th, 2012 was meant to highlight long-standing New World traditions, saying "We are Aztecas, Zapotecas, Mexicas, Toltecas, Huicholes, Trikis, Mayas, Incas, Tarahumara, etc," and encouraging everyone to express pride in their pre-Colombian identities.
    130827 JD eaglewarrior38.jpg
  • Dancers from Yaocuauhtli and other groups perform at the sixth annual gathering called "Day of Indigenous Resistance." Held as a deliberate counterpoint to Columbus Day, which is also sometimes called "Day of the Races," or "Hispanic Day," the event on October 11th, 2012 in Salinas was meant to highlight long-standing New World traditions, saying "We are Aztecas, Zapotecas, Mexicas, Toltecas, Huicholes, Trikis, Mayas, Incas, Tarahumara, etc," and encouraging everyone to express pride in their pre-Colombian identities.
    130827 JD eaglewarrior37.jpg
  • In their sixth annual gathering called "Day of Indigenous Resistance," Xochinecuhtli Alvarez (Nectar of a Flower) of the Salinas dance group Yaocuauhtli looks to the sky. Held as a deliberate counterpoint to Columbus Day, which is also sometimes called "Day of the Races," or "Hispanic Day," the event on Thursday, October 11th, 2012 was meant to highlight long-standing New World traditions, saying "We are Aztecas, Zapotecas, Mexicas, Toltecas, Huicholes, Trikis, Mayas, Incas, Tarahumara, etc," and encouraging everyone to express pride in their pre-Colombian identities.
    130827 JD eaglewarrior36.jpg
  • The powerful sound of the "huehuetl" drums drives Yaocuauhtli's sixth annual gathering called "Day of Indigenous Resistance." Held as a deliberate counterpoint to Columbus Day, which is also sometimes called "Day of the Races," or "Hispanic Day," the event on October 11th, 2012 was meant to highlight long-standing New World traditions, saying "We are Aztecas, Zapotecas, Mexicas, Toltecas, Huicholes, Trikis, Mayas, Incas, Tarahumara, etc," and encouraging everyone to express pride in their pre-Colombian identities.
    130827 JD eaglewarrior35.jpg
  • Ehecatl Chantico Moreno (Wind and Fire of the Home) conducts a ceremony during Yaocuauhtli's sixth annual gathering called "Day of Indigenous Resistance. Held as a deliberate counterpoint to Columbus Day, which is also sometimes called "Day of the Races," or "Hispanic Day," the event on October 11th, 2012 was meant to highlight long-standing New World traditions, saying "We are Aztecas, Zapotecas, Mexicas, Toltecas, Huicholes, Trikis, Mayas, Incas, Tarahumara, etc," and encouraging everyone to express pride in their pre-Colombian identities.
    130827 JD eaglewarrior28.jpg
  • In their sixth annual performance called "Day of Indigenous Resistance," Xochinecuhtli Alvarez (Nectar of a Flower) of the Salinas dance group Yaocuauhtli looks to the sky. Held as a deliberate counterpoint to Columbus Day on October 12th, which is also sometimes called "Day of the Races," or "Hispanic Day," the event was meant to highlight long-standing New World traditions, saying "We are Aztecas, Zapotecas, Mexicas, Toltecas, Huicholes, Trikis, Mayas, Incas, Tarahumara, etc," and encouraging everyone to express pride in their pre-Colombian identities.
    130827 JD eaglewarrior01.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_031.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_030.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_025.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_024.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_022.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_021.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_020.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_013.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_012.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_011.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_008.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_007.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_006.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_005.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_004.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0029.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0028.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0027.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0025.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0024.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0023.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0022.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0021.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0019.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0018.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0015.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0011.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0009.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0007.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0006.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0002.jpg
  • Marcial Ramirez, right, and Rosalia Reyes dance during Yaocuauhtli's sixth annual gathering called "Day of Indigenous Resistance." Held as a deliberate counterpoint to Columbus Day, which is also sometimes called "Day of the Races," or "Hispanic Day," the event on October 11th, 2012 was meant to highlight long-standing New World traditions, saying "We are Aztecas, Zapotecas, Mexicas, Toltecas, Huicholes, Trikis, Mayas, Incas, Tarahumara, etc," and encouraging everyone to express pride in their pre-Colombian identities.
    130827 JD eaglewarrior39.jpg
  • Young Eduardo Rubio dances during Yaocuauhtli's sixth annual gathering called "Day of Indigenous Resistance." Held as a deliberate counterpoint to Columbus Day, which is also sometimes called "Day of the Races," or "Hispanic Day," the event on October 11th, 2012 was meant to highlight long-standing New World traditions, saying "We are Aztecas, Zapotecas, Mexicas, Toltecas, Huicholes, Trikis, Mayas, Incas, Tarahumara, etc," and encouraging everyone to express pride in their pre-Colombian identities.
    130827 JD eaglewarrior34.jpg
  • Ehecatl Chantico Moreno (Wind and Fire of the Home) welcomes dancers inside the circle during Yaocuauhtli's sixth annual gathering called "Day of Indigenous Resistance." Held as a deliberate counterpoint to Columbus Day, which is also sometimes called "Day of the Races," or "Hispanic Day," the event on October 11th, 2012 was meant to highlight long-standing New World traditions, saying "We are Aztecas, Zapotecas, Mexicas, Toltecas, Huicholes, Trikis, Mayas, Incas, Tarahumara, etc," and encouraging everyone to express pride in their pre-Colombian identities.
    130827 JD eaglewarrior30.jpg
  • Dancers salute the elements during Yaocuauhtli's sixth annual gathering called "Day of Indigenous Resistance." Held as a deliberate counterpoint to Columbus Day, which is also sometimes called "Day of the Races," or "Hispanic Day," the event on October 11th, 2012 was meant to highlight long-standing New World traditions, saying "We are Aztecas, Zapotecas, Mexicas, Toltecas, Huicholes, Trikis, Mayas, Incas, Tarahumara, etc," and encouraging everyone to express pride in their pre-Colombian identities.
    130827 JD eaglewarrior29.jpg
  • Ehecatl Chantico Moreno (Wind and Fire of the Home) conducts a ceremony during Yaocuauhtli's sixth annual gathering called "Day of Indigenous Resistance. Held as a deliberate counterpoint to Columbus Day on October 12th, which is also sometimes called "Day of the Races," or "Hispanic Day," the event on October 11th, 2012 was meant to highlight long-standing New World traditions, saying "We are Aztecas, Zapotecas, Mexicas, Toltecas, Huicholes, Trikis, Mayas, Incas, Tarahumara, etc," and encouraging everyone to express pride in their pre-Colombian identities.
    130827 JD eaglewarrior27.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_029.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_028.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_027.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_026.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_023.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_018.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_017.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_016.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_015.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_014.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_010.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_009.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_003.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_002.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_001.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally conceived of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride. Photo for Hoy by Jay Dunn.
    11Dunn.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0030.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0026.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0017.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0016.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0014.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0013.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0012.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0010.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0008.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0005.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0004.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0003.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0001.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_019.jpg
  • USA, Chicago, July 30 - August 2, 2009.  "Fiesta del Sol," one of the largest Latino festivals in the USA, began in 1972 as a block party. Originally concieved of as a fund-raising event by the Pilsen Neighbors Community Council, which focuses on grassroots issues such as education, healthcare, housing and immigrant civil rights, it is now a full-bodied celebration of roots, achievement, and Hispanic pride.
    JDunn Sol_0020.jpg
  • Thousands of people turend out on Sunday for the traditional El Grito Festival in Salinas, which celebrates Mexican Independence Day.
    150913 elgrito12.jpg
  • The lead singer of Los Nuevos Sauceda gets the crowd rocking at Sunday’s “El Grito” celebration in Salinas marking September 16th's anniversary of Mexico’s independence from Spain. The annual fiesta, which occupies East Alisal Street between Wood and Sanborn, brimmed as usual with booths selling patriotic souvenirs and all manner of food and drink. Local businesses and nonprofits manned booths with information about health and community programs, while traditional “bandas” filled the afternoon with dance music and good cheer.
    140914 jd elgrito05.jpg
  • Hata were necessary for Sunday’s "El Grito” celebration in Salinas marking September 16th's anniversary of Mexico’s independence from Spain. The annual fiesta, which occupies East Alisal Street between Wood and Sanborn, brimmed as usual with booths selling patriotic souvenirs and all manner of food and drink. Local businesses and nonprofits manned booths with information about health and community programs, while traditional “bandas” filled the afternoon with dance music and good cheer.
    140914 jd elgrito04.jpg
  • Gabriela Florencia Arellano, 6, was in a patriotic mood for Sunday’s “El Grito” celebration in Salinas marking September 16th's anniversary of Mexico’s independence from Spain. The annual fiesta, which occupies East Alisal Street between Wood and Sanborn, brimmed as usual with booths selling souvenirs and all manner of food and drink. Local businesses and nonprofits manned booths with information about health and community programs, while traditional “bandas” filled the afternoon with dance music and good cheer.
    140914 jd elgrito03.jpg
  • Sunday's crowds along East Alisal Street in Salinas celebrated the symbolic beginning of Mexico's revolution against Spanish rule, with an afternoon long fiesta culminating in the reenactment of "El Grito,” or “The Cry of Independence."
    130915 jd elgrito20.JPG
  • Sunday's crowds along East Alisal Street in Salinas celebrated the symbolic beginning of Mexico's revolution against Spanish rule, with an afternoon long fiesta culminating in the reenactment of "El Grito,” or “The Cry of Independence."
    130915 jd elgrito14.JPG
  • Sunday's crowds along East Alisal Street in Salinas celebrated the symbolic beginning of Mexico's revolution against Spanish rule, with an afternoon long fiesta culminating in the reenactment of "El Grito,” or “The Cry of Independence."
    130915 jd elgrito12.JPG
  • Sunday's crowds along East Alisal Street in Salinas celebrated the symbolic beginning of Mexico's revolution against Spanish rule, with an afternoon long fiesta culminating in the reenactment of "El Grito,” or “The Cry of Independence."
    120916 jd grito12.jpg
  • Honorary Consul Blanca Estela Zarazua rings a replica of Father Miguel Hidalgo's church bell, representing the beginning of the Mexican revolution against Spain more than 200 years ago. "El Grito,” or “The Cry of Independence" followed the ringing of the bell, with Sunday's crowds along East Alisal in Salinas shouting "Viva Mexico."
    120916 jd grito01.jpg
  • At Christ the King in Salinas, parishioners filled the church for a moving Holy Saturday vigil led by Fr. Antonio Sanchez, spreading the warmth of candlelight one by one through the expectant crowd.
    150404 jd easterSAT06.jpg
  • At Christ the King in Salinas, parishioners filled the church for a moving Holy Saturday vigil led by Fr. Antonio Sanchez, spreading the warmth of candlelight one by one through the expectant crowd.
    150404 jd easterSAT01.jpg
  • Minerva Alvarez, 10, prepares to receive ashes on her forehead, a traditional symbol of a new beginning. Ash Wednesday is the first day of Lent in the Western Christian Church, marked by services of penitence. Fr. Jesus Manuel Galvez led parishioners in an afternoon Mass at Christ the King Parish in Salinas. Rosa Molina, at right, is one of several faithful who helped administer the ceremony.
    150218 jd ash wed01.jpg
  • Deacon Omar Solis enters Christ the King Church in Salinas during late morning mass on the 4th Sunday of Advent. A period of four weeks before the birth of Jesus, Advent is a time of celebration during which Western Christians prepare themselves spiritually for the Nativity. The word is derived from the Latin “adventus,” meaning ”arrival,” or “approach.” Advent is often marked by the lighting of four candles, one each week until the evening of the 24th, when a fifth one is lit, symbolizing the life of Christ.
    141221 jd adventMAIN.jpg
  • A parishioner at Fuente de Vida Church loses herself in prayer during Easter Sunday services in Salinas.
    140420 jd easter02.jpg
  • The sun sets at Queen of Heaven Cemetery. In a touching final celebration of All Soul’s Day on Saturday night, hundreds of congregants came to Queen of Heaven in Salinas to attend mass, offer their prayers, and as dusk fell, participate in a candlelight procession.  Friends and family members sat by the graves of loved ones, many of which were decorated with traditional Day of the Dead marigolds, photographs of the departed, and things that were their favorites in life.
    131103 jd allsouls04.jpg
  • In an airy, open sanctuary lit by street-level stained glass, a congregation of true believers prayed, sang and chanted through an early morning Easter Sunday service at Cristo La Roca Church in East Salinas.
    130331 jd eastersunday05.jpg
  • From left, Loma Vista Elementary School students Monzerrat Mata, 11, Frida Aguirre Ceja, 10 and Monzerrat’s sister Marisol, 10, take a selfie after school on Monday behind the Hebbron Family Center. Monzerrat’s 12th birthday is tomorrow, September 16th, the anniversary of Mexico’s independence from Spain.
    140915 jd indybirthday01.jpg
  • In a morning ritual throughout the warmer months in Salinas, Sabino Martinez, left, and Lydia Quintana stock the ice cream pushcarts of vendors working from Paleteria La Mexicana at 734 East Market St. From this tiny hub full of low white freezers, up to a dozen vendors ringing their rack of bells might cover half the city on foot or by bike in a day's work, making very little money but overjoying children and an occasional adult.
    140722 jd paleteros01.jpg
  • Young dancer Josselyn Melanie Cuauhyolotzin shows her strength during a performance on September 9th, 2012 at Fiesta del Mar at the Monterey Bay Aquarium. By teaching their children traditional dances and conduct, members of the Yaocuauhtli - Eagle Warrior “calpulli,” or group, are preserving a proud ethnic heritage.
    130827 JD eaglewarrior13.jpg
  • Headdresses ready before a performance on September 9th, 2012 at Fiesta del Mar at the Monterey Bay Aquarium. By teaching their children traditional dances and conduct, members of the Yaocuauhtli - Eagle Warrior “calpulli,” or group, are preserving a proud ethnic heritage.
    130827 JD eaglewarrior07.jpg
  • Family members search for a loved one's grave at Queen of Heaven Cemetery. In a touching final celebration of All Soul’s Day on Saturday night, hundreds of congregants came to the hilltop in Salinas to attend mass, offer their prayers, and as dusk fell, participate in a candlelight procession.  Friends and family members sat by the graves of loved ones, many of which were decorated with traditional Day of the Dead marigolds, photographs of the departed, and things that were their favorites in life.
    131103 jd allsouls15.jpg
  • In a touching final celebration of All Soul’s Day on Saturday night, hundreds of congregants came to Queen of Heaven Cemetery in Salinas to attend mass, offer their prayers, and as dusk fell, participate in a candlelight procession.  Friends and family members sat by the graves of loved ones, many of which were decorated with traditional Day of the Dead marigolds, photographs of the departed, and things that were their favorites in life.
    131103 jd allsouls13.jpg
  • The sun sets at Queen of Heaven Cemetery. In a touching final celebration of All Soul’s Day on Saturday night, hundreds of congregants came to Queen of Heaven in Salinas to attend mass, offer their prayers, and as dusk fell, participate in a candlelight procession.  Friends and family members sat by the graves of loved ones, many of which were decorated with traditional Day of the Dead marigolds, photographs of the departed, and things that were their favorites in life.
    131103 jd allsouls04.jpg
  • Mexico, Yucatan Peninsula, October 16-23, 2010. Nothing says "bienvenido" more than a smile, and in these people of Yucatan, Campeche and Quintana Roo they seem, much like the clear blue waters of the "cenotes," to run through and underlie every aspect of life.
    JDunn sonrisas_079.jpg
  • MEXICO, Veracruz, Tantoyuca, Nov 1- Nov 4, 2009. Making the souls of the dead feel welcome as they return for a yearly visit, Mexicans in this tropical state offer not only elaborate feasts and flower-filled altars, but dancing as well. Masked bands of performers called “cuadrillos” rehearse for months their choreography, rich with symbolic roles for men, women, devils, and death itself, then over the course of two nights regale both graveyards and city streets with whoops of laughter, raise-the-roof dancing and music until dawn. Photographs for HOY by Jay Dunn.
    JDunn Santos_050.jpg
  • MEXICO, Veracruz, Tantoyuca, Nov 1- Nov 4, 2009. Making the souls of the dead feel welcome as they return for a yearly visit, Mexicans in this tropical state offer not only elaborate feasts and flower-filled altars, but dancing as well. Masked bands of performers called “cuadrillos” rehearse for months their choreography, rich with symbolic roles for men, women, devils, and death itself, then over the course of two nights regale both graveyards and city streets with whoops of laughter, raise-the-roof dancing and music until dawn. Photographs for HOY by Jay Dunn.
    JDunn Santos_045.jpg
  • MEXICO, Veracruz, Tantoyuca, Nov 1- Nov 4, 2009. Making the souls of the dead feel welcome as they return for a yearly visit, Mexicans in this tropical state offer not only elaborate feasts and flower-filled altars, but dancing as well. Masked bands of performers called “cuadrillos” rehearse for months their choreography, rich with symbolic roles for men, women, devils, and death itself, then over the course of two nights regale both graveyards and city streets with whoops of laughter, raise-the-roof dancing and music until dawn. Photographs for HOY by Jay Dunn.
    JDunn Santos_015.jpg
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