Jay Dunn: Journalism for Social Justice

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  • Mexico, Yucatan Peninsula, October, 2010. Mexico's Yucatan peninsula holds treasures both above and below its verdant surface, with Mayan ruins, Christian churches, azure "cenotes" deep in limestone caverns, and pristine stretches of beach for spectacular coastal properties. Home to traditions both indigenous and colonial, this area of southern Mexico encompasses the states of Yucatan, Quintana Roo, Campeche and Tabasco. Photographs commissioned by SECTUR.
    JDunn yucatan_069.jpg
  • Mexico, Yucatan Peninsula, October, 2010. Mexico's Yucatan peninsula holds treasures both above and below its verdant surface, with Mayan ruins, Christian churches, azure "cenotes" deep in limestone caverns, and pristine stretches of beach for spectacular coastal properties. Home to traditions both indigenous and colonial, this area of southern Mexico encompasses the states of Yucatan, Quintana Roo, Campeche and Tabasco. Photographs commissioned by SECTUR.
    JDunn yucatan_062.jpg
  • Mexico, Yucatan Peninsula, October, 2010. Mexico's Yucatan peninsula holds treasures both above and below its verdant surface, with Mayan ruins, Christian churches, azure "cenotes" deep in limestone caverns, and pristine stretches of beach for spectacular coastal properties. Home to traditions both indigenous and colonial, this area of southern Mexico encompasses the states of Yucatan, Quintana Roo, Campeche and Tabasco. Photographs commissioned by SECTUR.
    JDunn yucatan_060.jpg
  • Mexico, Yucatan Peninsula, October, 2010. Mexico's Yucatan peninsula holds treasures both above and below its verdant surface, with Mayan ruins, Christian churches, azure "cenotes" deep in limestone caverns, and pristine stretches of beach for spectacular coastal properties. Home to traditions both indigenous and colonial, this area of southern Mexico encompasses the states of Yucatan, Quintana Roo, Campeche and Tabasco. Photographs commissioned by SECTUR.
    JDunn yucatan_059.jpg
  • Mexico, Yucatan Peninsula, October, 2010. Mexico's Yucatan peninsula holds treasures both above and below its verdant surface, with Mayan ruins, Christian churches, azure "cenotes" deep in limestone caverns, and pristine stretches of beach for spectacular coastal properties. Home to traditions both indigenous and colonial, this area of southern Mexico encompasses the states of Yucatan, Quintana Roo, Campeche and Tabasco. Photographs commissioned by SECTUR.
    JDunn yucatan_030.jpg
  • Mexico, Jalisco, Guadalajara, May 20-23, 2011. From museums to mariachi, three days based in Guadalajara, Mexico's second-largest city, allows a taste of Jalisco's many cultural offerings. Day trips from the city center include tequila distillery tours, relaxing in the shade of centuries-old haciendas, and the cool water of Lake Chapala, Mexico's largest, with its indigenous towns, craft fairs and quiet lakeside communities.
    JDunn jalisco_002.jpg
  • Mexico, Jalisco, Guadalajara, May 20-23, 2011. From museums to mariachi, three days based in Guadalajara, Mexico's second-largest city, allows a taste of Jalisco's many cultural offerings. Day trips from the city center include tequila distillery tours, relaxing in the shade of centuries-old haciendas, and the cool water of Lake Chapala, Mexico's largest, with its indigenous towns, craft fairs and quiet lakeside communities.
    JDunn jalisco_008.JPG
  • Mexico, Jalisco, Guadalajara, May 20-23, 2011. From museums to mariachi, three days based in Guadalajara, Mexico's second-largest city, allows a taste of Jalisco's many cultural offerings. Day trips from the city center include tequila distillery tours, relaxing in the shade of centuries-old haciendas, and the cool water of Lake Chapala, Mexico's largest, with its indigenous towns, craft fairs and quiet lakeside communities.
    JDunn jalisco_021.jpg
  • Mexico, Jalisco, Guadalajara, May 20-23, 2011. From museums to mariachi, three days based in Guadalajara, Mexico's second-largest city, allows a taste of Jalisco's many cultural offerings. Day trips from the city center include tequila distillery tours, relaxing in the shade of centuries-old haciendas, and the cool water of Lake Chapala, Mexico's largest, with its indigenous towns, craft fairs and quiet lakeside communities.
    JDunn jalisco_043.jpg
  • Mexico, Jalisco, Guadalajara, May 20-23, 2011. From museums to mariachi, three days based in Guadalajara, Mexico's second-largest city, allows a taste of Jalisco's many cultural offerings. Day trips from the city center include tequila distillery tours, relaxing in the shade of centuries-old haciendas, and the cool water of Lake Chapala, Mexico's largest, with its indigenous towns, craft fairs and quiet lakeside communities.
    JDunn jalisco_031.jpg
  • China, Hezhuo, 2007. Riders wait on the crest of a hill to join a massive display of horses and horsemanship at the Hezhuo Cultural Festival..
    JDUNN-folio-21.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_004.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_001.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_030.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_029.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_022.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_020.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_018.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_013.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_011.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_008.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_006.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_005.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_031.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_028.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_025.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_024.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_021.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_019.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_017.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_015.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_012.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_010.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_007.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_003.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_027.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_026.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_023.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_016.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_014.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_009.jpg
  • Mexico, Veracruz, Oct 27- Nov 4, 2009. For the last twenty-five years, Chicago resident Polo Garcia, a former dance teacher turned folklorist-ethnographer, has gone in search of the cultural traditions of Hispanic America, documenting for future generations indigenous dance movements so ritualized they are often passed on from memory by village elders. Using audio, video and still photography, Garcia spends up to half of each year abroad or in his native Mexico, returning with new material to instruct children as well as teachers in Chicago public schools.  <br />
Photographs commissioned by "HOY" newspaper. More at MexicoCulturalCalendar.com
    JDunn danzas_002.jpg
  • USA, Illinois, West Chicago, May 28, 2009.  Community within a community, Zapotec speaking Mexican-Americans and immigrants maintain their connection to San Pablo Guila in their native Oaxaca through religion, cultural traditions and food. A significant group lives in the Illinois suburb of West Chicago.
    JDunn zapoteca_0316.jpg
  • USA, Illinois, West Chicago, May 28, 2009.  Community within a community, Zapotec speaking Mexican-Americans and immigrants maintain their connection to San Pablo Guila in their native Oaxaca through religion, cultural traditions and food. A significant group lives in the Illinois suburb of West Chicago.
    JDunn zapoteca_0144.jpg
  • USA, Illinois, West Chicago, May 28, 2009.  Community within a community, Zapotec speaking Mexican-Americans and immigrants maintain their connection to San Pablo Guila in their native Oaxaca through religion, cultural traditions and food. A significant group lives in the Illinois suburb of West Chicago.
    JDunn zapoteca_0309.jpg
  • USA, Illinois, West Chicago, May 28, 2009.  Community within a community, Zapotec speaking Mexican-Americans and immigrants maintain their connection to San Pablo Guila in their native Oaxaca through religion, cultural traditions and food. A significant group lives in the Illinois suburb of West Chicago.
    JDunn zapoteca_0269.jpg
  • USA, Illinois, West Chicago, May 28, 2009.  Community within a community, Zapotec speaking Mexican-Americans and immigrants maintain their connection to San Pablo Guila in their native Oaxaca through religion, cultural traditions and food. A significant group lives in the Illinois suburb of West Chicago.
    JDunn zapoteca_0308.jpg
  • USA, Illinois, West Chicago, May 28, 2009.  Community within a community, Zapotec speaking Mexican-Americans and immigrants maintain their connection to San Pablo Guila in their native Oaxaca through religion, cultural traditions and food. A significant group lives in the Illinois suburb of West Chicago.
    JDunn zapoteca_0296.jpg
  • USA, Illinois, West Chicago, May 28, 2009.  Community within a community, Zapotec speaking Mexican-Americans and immigrants maintain their connection to San Pablo Guila in their native Oaxaca through religion, cultural traditions and food. A significant group lives in the Illinois suburb of West Chicago.
    JDunn zapoteca_0292.jpg
  • USA, Illinois, West Chicago, May 28, 2009.  Community within a community, Zapotec speaking Mexican-Americans and immigrants maintain their connection to San Pablo Guila in their native Oaxaca through religion, cultural traditions and food. A significant group lives in the Illinois suburb of West Chicago.
    JDunn zapoteca_0285.jpg
  • USA, Illinois, West Chicago, May 28, 2009.  Community within a community, Zapotec speaking Mexican-Americans and immigrants maintain their connection to San Pablo Guila in their native Oaxaca through religion, cultural traditions and food. A significant group lives in the Illinois suburb of West Chicago.
    JDunn zapoteca_0276.jpg
  • USA, Illinois, West Chicago, May 28, 2009.  Community within a community, Zapotec speaking Mexican-Americans and immigrants maintain their connection to San Pablo Guila in their native Oaxaca through religion, cultural traditions and food. A significant group lives in the Illinois suburb of West Chicago.
    JDunn zapoteca_0247.jpg
  • USA, Illinois, West Chicago, May 28, 2009.  Community within a community, Zapotec speaking Mexican-Americans and immigrants maintain their connection to San Pablo Guila in their native Oaxaca through religion, cultural traditions and food. A significant group lives in the Illinois suburb of West Chicago.
    JDunn zapoteca_0227.jpg
  • USA, Illinois, West Chicago, May 28, 2009.  Community within a community, Zapotec speaking Mexican-Americans and immigrants maintain their connection to San Pablo Guila in their native Oaxaca through religion, cultural traditions and food. A significant group lives in the Illinois suburb of West Chicago.
    JDunn zapoteca_0176.jpg
  • USA, Illinois, West Chicago, May 28, 2009.  Community within a community, Zapotec speaking Mexican-Americans and immigrants maintain their connection to San Pablo Guila in their native Oaxaca through religion, cultural traditions and food. A significant group lives in the Illinois suburb of West Chicago.
    JDunn zapoteca_0152.jpg
  • USA, Illinois, West Chicago, May 28, 2009.  Community within a community, Zapotec speaking Mexican-Americans and immigrants maintain their connection to San Pablo Guila in their native Oaxaca through religion, cultural traditions and food. A significant group lives in the Illinois suburb of West Chicago.
    JDunn zapoteca_0137.jpg
  • USA, Illinois, West Chicago, May 28, 2009.  Community within a community, Zapotec speaking Mexican-Americans and immigrants maintain their connection to San Pablo Guila in their native Oaxaca through religion, cultural traditions and food. A significant group lives in the Illinois suburb of West Chicago.
    JDunn zapoteca_0115.jpg
  • USA, Illinois, West Chicago, May 28, 2009.  Community within a community, Zapotec speaking Mexican-Americans and immigrants maintain their connection to San Pablo Guila in their native Oaxaca through religion, cultural traditions and food. A significant group lives in the Illinois suburb of West Chicago.
    JDunn zapoteca_0069.jpg
  • USA, Illinois, West Chicago, May 28, 2009.  Community within a community, Zapotec speaking Mexican-Americans and immigrants maintain their connection to San Pablo Guila in their native Oaxaca through religion, cultural traditions and food. A significant group lives in the Illinois suburb of West Chicago.
    JDunn zapoteca_0261.jpg
  • USA, Illinois, West Chicago, May 28, 2009.  Community within a community, Zapotec speaking Mexican-Americans and immigrants maintain their connection to San Pablo Guila in their native Oaxaca through religion, cultural traditions and food. A significant group lives in the Illinois suburb of West Chicago.
    JDunn zapoteca_0162.jpg
  • USA, Illinois, West Chicago, May 28, 2009.  Community within a community, Zapotec speaking Mexican-Americans and immigrants maintain their connection to San Pablo Guila in their native Oaxaca through religion, cultural traditions and food. A significant group lives in the Illinois suburb of West Chicago.
    JDunn zapoteca_0117.jpg
  • USA, Illinois, West Chicago, May 28, 2009.  Community within a community, Zapotec speaking Mexican-Americans and immigrants maintain their connection to San Pablo Guila in their native Oaxaca through religion, cultural traditions and food. A significant group lives in the Illinois suburb of West Chicago.
    JDunn zapoteca_0010.jpg
  • USA, Illinois, West Chicago, May 28, 2009.  Community within a community, Zapotec speaking Mexican-Americans and immigrants maintain their connection to San Pablo Guila in their native Oaxaca through religion, cultural traditions and food. A significant group lives in the Illinois suburb of West Chicago.
    JDunn zapoteca_0240.jpg
  • USA, Illinois, West Chicago, May 28, 2009.  Community within a community, Zapotec speaking Mexican-Americans and immigrants maintain their connection to San Pablo Guila in their native Oaxaca through religion, cultural traditions and food. A significant group lives in the Illinois suburb of West Chicago.
    JDunn zapoteca_0062.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_021.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_010.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_025.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_022.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_019.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_016.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_013.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_012.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_011.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_008.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_007.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_006.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_005.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_004.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_003.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_002.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_001.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_024.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_023.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_020.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_018.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_017.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_015.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_014.jpg
  • USA, Illinois, Chicago, June 13, 2009. Never less than original, Mexican painter Hector Duarte's pointedly beautiful "Murallas sobre lienzo" at the National Museum of Mexican Art in Chicago is a classical lesson in muralist traditions, blending art, current events and politics in a dream-like commentary on borders and the influence and importance of immigrants.
    JDunn duarte_009.jpg
  • China, Beijing, 2001. A boy surveys his "hutong," or traditional neighborhood. These low-slung communities are fast disappearing, as streets are widened, and concrete and steel construction replaces bricks in cities all over China..
    JDUNN-folio-43.jpg
  • China, Taiyuan, 2003. A female Chinese opera performer waits in the wings for her entrance. Traditional costumes can often be quite heavy, and makeup elaborate.
    JDUNN-folio-29.jpg
  • BURMA / MYANMAR. Shan State, Kalaw, Peinnebin Village, 2003. Women in the lead, Wan Tha's wedding procession arrives in Peinnebin after a full day's journey, dressed in their finest "longyis," or traditional skirts.
    JDUNN-folio-10.jpg
  • MEXICO, Veracruz, Tantoyuca, Oct 27- Nov 4, 2009. Dancers prepare to perform at the Preparatorio Benito Juarez in Tantoyuca. “Xantolo,” the Nahuatl word for “Santos,” or holy, marks a week-long period during which the whole Huasteca region of northern Veracruz state prepares for “Dia de los Muertos,” the Day of the Dead. For children on the nights of October 31st and adults on November 1st, there is costumed dancing in the streets, and a carnival atmosphere, while Mexican families also honor the yearly return of the souls of their relatives at home and in the graveyards, with flower-bedecked altars and the foods their loved ones preferred in life. Photographs for HOY by Jay Dunn.
    JDunn xantolo_045.JPG
  • MEXICO, Veracruz, Tantoyuca, Nov 1- Nov 4, 2009. Making the souls of the dead feel welcome as they return for a yearly visit, Mexicans in this tropical state offer not only elaborate feasts and flower-filled altars, but dancing as well. Masked bands of performers called “cuadrillos” rehearse for months their choreography, rich with symbolic roles for men, women, devils, and death itself, then over the course of two nights regale both graveyards and city streets with whoops of laughter, raise-the-roof dancing and music until dawn. Photographs for HOY by Jay Dunn.
    JDunn Santos_045.jpg
  • MEXICO, Veracruz, Tantoyuca, Nov 1- Nov 4, 2009. Making the souls of the dead feel welcome as they return for a yearly visit, Mexicans in this tropical state offer not only elaborate feasts and flower-filled altars, but dancing as well. Masked bands of performers called “cuadrillos” rehearse for months their choreography, rich with symbolic roles for men, women, devils, and death itself, then over the course of two nights regale both graveyards and city streets with whoops of laughter, raise-the-roof dancing and music until dawn. Photographs for HOY by Jay Dunn.
    JDunn Santos_008.jpg
  • Mexico, Oaxaca, Teotitlan del Valle, April 21-22, 2011. True faith suffuses every aspect of Teotitlan del Valle's painstaking recreation of the last hours of Jesus, from Thursday's afternoon's Last Supper through to a night vigil at a jail cell after his arrest. Village elders play the parts of the twelve apostles, and the town's devout fill the church for mass and communion, for the ritual washing of the disciple's feet, and for multiple gatherings which mark the hours. Good Friday dawns with music, scripture, and a solemn procession of Christ, the Virgin Mary and the town's own radiant“Virgen Dolorosa” through the streets.
    JDunn OAX faith_004.jpg
  • Mexico, Yucatan, Mayapan, October 17, 2010. Mayan high priest Ildelfonso Ake Cocom conducts a "saka" purification ceremony on the grounds of Mayapan, a ruined Yucatecan capital city dating from the period between 1220 and 1240 AD. Photographs commissioned by SECTUR.
    JDunn mayapan_001.JPG
  • Mexico, Chihuahua, July 5-20, 2010. Undaunted by blistering desert temperatures, the 15th annnual "Cabalgata Villista," an epic horse trek from Ciudad Juarez, Chihuahua to Hacienda Canutillo in Durango met with enthusiastic crowds on its route southward through Satevo and Valle de Zaragoza. Armed with fresh horses and a patriotic spirit, new "jinetes" (riders) join the cavalcade from small towns along the way, which welcome the participants of this long dusty journey. Started in 1996 by José Socorro Salcido Gómez, the "cabalgata" in memory of Mexican revolutionary general Pancho Villa has a particular poignancy this bicentennial year. Photographs commissioned by the Chihuahua Department of Tourism.
    JDunn cabal_008.jpg
  • Mexico, Oaxaca, Teotitlan del Valle, April 18, 2011. On a moody Monday in southern Mexico, the Zapotec townspeople of Oaxaca's Teotitlan del Valle reenact all fourteen Stations of the Cross through this mountain community's winding cobblestone streets. From the first station, where Jesus is condemned to die, to the last, where he is laid in his tomb, somber processions accompanied by flowers, singers and a brass band stop at each refuge, adorned with "tapetes" created by master carpet weavers and blessed with food and drink for all.
    JD Teotitlan_Via_0039.jpg
  • Mexico, Federal District, Mexico City, September 15-16, 2010. The 200th anniversary of Mexico's independence from Spain was celebrated with a tremendous country-wide effort marked by careful planning and a generous spirit. Mexico City was host to the most spectacular events, assisted by thousands of organizers, officials, artists, soldiers and citizens.
    JD Mex bicent 01.JPG
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